Interior Study for “A House With A Slide”
Looking up towards the kitchen window from the double height space at basement level this drawing imagines how the surfaces of brickwork, plywood, parquet and reclaimed floorboards will be brought together and be animated by natural light from above.
This commission by the office celebrates a space we are extremely excited about and is helping the client, ourselves and the contractor to make clearer judgements about its qualities / to better craft its ongoing creation.
Look out for a photographic study of the space under construction coming soon!
Brighton at Free Range
A selection of graduates from the Brighton Interior Architecture course [where Stephen has been teaching] are exhibiting at Free Range on 14th, 15th and 16th July. Check it out!
Rooflight & Drying Plaster
Site visit for A Loft with Arches - enjoying the dappled light on drying plaster in the double height hall.
Stephen's Year of Teaching in Brighton
For the past 9 months, Stephen has been teaching a design studio with Gem Barton at the University of Brighton on the Interior Architecture course. Open Sesame was the name of the studio and the brief focused on designing around intangible connections to spaces and places.
The 3rd year students recently exhibited their work at the university graduate show. The exhibition was curated in collaboration with the School of Architecture and comprised 42[!] bespoke A1 plan chests, each made especially for the event. Each chest contained 8 drawers and the graduating students were given 1 drawer to curate and present their work.
Below is a selection of student's drawers.
Podcast Interview with Business of Architecture
Podcast interview by Rion Willard with Seán, on the subjects of business and architecture.
We Had A Party
Our New Site Opens
We're very excited to announce that for the last 9 months we've been working with Polimekanos to rework our brand, visual identity and website.
A central and early design move was the hunt for a typeface. Polimekanos found Joanna, a little used typeface these days, designed by the infamous Eric Gill in about 1930. Joanna, named after Gill's daughter, is a slab serif, with angular details on the edges of the upper and lower cases, and very legible in both headings and body text. The highest profile use of Joanna in print we can find is in the Penguin Modern Classics books of the 1960s. We think this typeface holds all the oddities, opportunities and the open-endedness we'd like to bring to our clients and projects. We hope you like the new image as much as we do.
Four Fireplaces From 'A House With A Slide'
Enjoy four fireplaces from one of our projects, which is currently on site. The contrast between the rough brickwork texture, the lapsed composition and the sharp overall edges of the chimney breast is somehow attractive.